Max headroom movie movie#
science fiction television series that grew out of a one-hour British TV movie titled 20. (Granted, the reverse side of that is it was pretty over-stuffed and incoherent at times, though less than you might expect for what they managed to stuff in.) Max Headroom (1987-1988) was a short-run but ground breaking U.S. They somehow packed so much mythos into just shy of an hour that it felt more like a Hollywood sci-fi epic than a TV special. This movie felt longer than it’s runtime, but in the best possible way. Offering both 1980s nostalgia and a vision of networked.
The scathingly tongue-in-cheek tone worked really well for the material. If you yearn for science fiction that is both dark and surreal, then binge-watch Max Headroom. The directing, writing, acting, production design, everything. With the help of colleague Theora Jones ( Amanda Pays), and the distraction provided by Max, Carter eventually defeats Network 23.I came in expecting something much more shoddy-this being a TV movie origin story about a “computer generated” TV host-but honestly it was brimming with style and confidence on every level. Meanwhile, a merely unconscious Carter escapes from becoming a premature organ donor, pursued by Bryce's goons, who quote Hamlet's Response to Corruption as they search ("'Tis now the very witching time of night, when churchyards yawn, and hell itself breathes contagion to this world."). With a gift for rapid-fire gags, he hosts his own show, and sends Reg's ratings through the roof. Bryce instructs his hired goons to dispose of both Carter and his virtual clone, but the thugs sell both of them - Carter to a body bank, and the machine copy to pirate television station owner Blank Reg.Īfter a bit of nurturing from Reg, the computer program achieves a somewhat eccentric life of its own. Bryce Lynch, an adolescent genius working as a scientist for Network 23, suggests to the network's chief executive that they keep Carter sedated and generate a computerized version of him by digitally recording Carter's mind, to be used as a temporary replacement for Carter in order to hide his disappearance.īryce's program is flawed. Indeed, since the Chicago signal hijackings of 1988, Americas television and movie industry has deftly co-opted the sympathetically subversive character of the. While attempting to flee the network headquarters with proof, Edison suffers a serious head injury, caused by striking a low-clearance sign labelled "Max. When Carter is pulled from the story by the television station management, Carter investigates further and discovers that his employer, Network 23, has created a new form of subliminal advertising (called " blipverts") that can be fatal to certain viewers. The film introduces Edison Carter ( Matt Frewer), a headstrong television reporter investigating a home explosion. HBO (which owned another cable television provider Cinemax) provided some of the original funding, with the aim of making some use of Max Headroom on Cinemax. American network ABC later commissioned Chrysalis to produce the television series Max Headroom, which was based on the film. In the movie, reporter Carter discovers that his employer. for Channel 4 to provide a back story for Max Headroom, a computer generated TV host. The film introduces Edison Carter, a television reporter trying to expose corruption and greed. Max Headroom: 20 Minutes into the Future is a 1985 cyberpunk television film created by British company Chrysalis Visual Programming Ltd. With Matt Frewer, Nickolas Grace, Hilary Tindall, William Morgan Sheppard. JSTOR ( May 2008) ( Learn how and when to remove this template message) Max Headroom: Directed by Annabel Jankel, Rocky Morton.Unsourced material may be challenged and removed.įind sources: "Max Headroom: 20 Minutes into the Future" – news
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